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| 001 | ocn859673290 | ||
| 003 | OCoLC | ||
| 005 | 20200709060455.0 | ||
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| 007 | cr |||||||nn|n | ||
| 008 | 120307s2012 mau obd 001 0 eng d | ||
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_a9781613761977 _q(electronic bk.) |
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_a161376197X _q(electronic bk.) |
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_z9781558499577 _q(pbk. ; _qalk. paper) |
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_a810.9/384 _223 |
| 049 | _aMAIN | ||
| 100 | 1 | _aHardack, Richard. | |
| 245 | 1 | 0 |
_aNot altogether human _h[electronic resource] : _bpantheism and the dark nature of the American renaissance / _cRichard Hardack. |
| 260 |
_aAmherst : _bUniversity of Massachusetts Press, _c©2012. |
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| 300 | _a1 online resource (304 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 505 | 0 | _a"The seductive god": Pan and the emergence of a transcendental America -- The "not me": the black nature of an animated world -- "A democracy of devils": the limits of individualism in Emerson and Melville -- The melancholy of anatomy: the body politics of American pantheism. | |
| 520 | _a"Many leading American thinkers in the nineteenth century, who accepted the premises of Emersonian transcendentalism, valued the basic concept of pantheism: that God inheres in nature and in all things, and that a person could achieve a sense of belonging she or he lacked in society by seeking a oneness with all of nature. As Richard Hardack shows, however, writers such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Herman Melville conceived of nature as everything "Other"--Other than the white male Protestant culture of which they were a part. This conception of nature, then, became racialized, and the divine became associated with African American and Native American identities, as well as with femininity. In "Not Altogether Human," Hardack reevaluates transcendentalism in the context of nineteenthcentury concerns about individual and national racial identity. Elucidating the influence of pantheism, Hardack draws on an array of canonical and unfamiliar materials to remap the boundaries of what has long been viewed as white male transcendental discourse. This book significantly revises notions of what transcendentalism and pantheism mean and how they relate to each other. Hardack's close analysis of pantheism and its influence on major works and lesser known writing of the nineteenth century opens up a new perspective on American culture during this key moment in the country's history."--Project Muse. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 588 | 0 | _aPrint version record. | |
| 590 | _aAdded to collection customer.56279.3 | ||
| 650 | 0 | _aPantheism in literature. | |
| 650 | 0 | _aTranscendentalism in literature. | |
| 650 | 0 |
_aAmerican literature _y19th century _xHistory and criticism. |
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| 650 | 7 |
_aRELIGION _xGeneral. _2bisacsh |
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| 650 | 7 |
_aAmerican literature. _2fast _0(OCoLC)fst00807113 |
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| 650 | 7 |
_aPantheism in literature. _2fast _0(OCoLC)fst01052226 |
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| 650 | 7 |
_aTranscendentalism in literature. _2fast _0(OCoLC)fst01154557 |
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| 648 | 7 |
_a1800-1899 _2fast |
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| 655 | 4 | _aElectronic books. | |
| 655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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| 776 | 0 | 8 |
_iPrint version: _aHardack, Richard. _tNot altogether human. _dAmherst : University of Massachusetts Press, ©2012 _z9781558499577 _w(DLC) 2012007993 _w(OCoLC)768167110 |
| 856 | 4 | 0 |
_3EBSCOhost _uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1246445 |
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