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003 OCoLC
005 20200709060455.0
006 m d
007 cr |||||||nn|n
008 120307s2012 mau obd 001 0 eng d
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019 _a823655536
_a823678857
020 _a9781613761977
_q(electronic bk.)
020 _a161376197X
_q(electronic bk.)
020 _z9781558499577
_q(pbk. ;
_qalk. paper)
020 _z9781558499560
_q(library cloth ;
_qalk. paper)
020 _z1558499563
020 _z1558499571
_q(pbk. ;
_qalk. paper)
035 _a1246445
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035 _a(OCoLC)859673290
_z(OCoLC)823655536
_z(OCoLC)823678857
037 _a22573/ctt5n1t9c
_bJSTOR
050 4 _aPS217.T7
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072 7 _aREL000000
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072 7 _aHIS054000
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072 7 _aLIT004020
_2bisacsh
082 0 4 _a810.9/384
_223
049 _aMAIN
100 1 _aHardack, Richard.
245 1 0 _aNot altogether human
_h[electronic resource] :
_bpantheism and the dark nature of the American renaissance /
_cRichard Hardack.
260 _aAmherst :
_bUniversity of Massachusetts Press,
_c©2012.
300 _a1 online resource (304 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
505 0 _a"The seductive god": Pan and the emergence of a transcendental America -- The "not me": the black nature of an animated world -- "A democracy of devils": the limits of individualism in Emerson and Melville -- The melancholy of anatomy: the body politics of American pantheism.
520 _a"Many leading American thinkers in the nineteenth century, who accepted the premises of Emersonian transcendentalism, valued the basic concept of pantheism: that God inheres in nature and in all things, and that a person could achieve a sense of belonging she or he lacked in society by seeking a oneness with all of nature. As Richard Hardack shows, however, writers such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Herman Melville conceived of nature as everything "Other"--Other than the white male Protestant culture of which they were a part. This conception of nature, then, became racialized, and the divine became associated with African American and Native American identities, as well as with femininity. In "Not Altogether Human," Hardack reevaluates transcendentalism in the context of nineteenthcentury concerns about individual and national racial identity. Elucidating the influence of pantheism, Hardack draws on an array of canonical and unfamiliar materials to remap the boundaries of what has long been viewed as white male transcendental discourse. This book significantly revises notions of what transcendentalism and pantheism mean and how they relate to each other. Hardack's close analysis of pantheism and its influence on major works and lesser known writing of the nineteenth century opens up a new perspective on American culture during this key moment in the country's history."--Project Muse.
504 _aIncludes bibliographical references and index.
588 0 _aPrint version record.
590 _aAdded to collection customer.56279.3
650 0 _aPantheism in literature.
650 0 _aTranscendentalism in literature.
650 0 _aAmerican literature
_y19th century
_xHistory and criticism.
650 7 _aRELIGION
_xGeneral.
_2bisacsh
650 7 _aAmerican literature.
_2fast
_0(OCoLC)fst00807113
650 7 _aPantheism in literature.
_2fast
_0(OCoLC)fst01052226
650 7 _aTranscendentalism in literature.
_2fast
_0(OCoLC)fst01154557
648 7 _a1800-1899
_2fast
655 4 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
776 0 8 _iPrint version:
_aHardack, Richard.
_tNot altogether human.
_dAmherst : University of Massachusetts Press, ©2012
_z9781558499577
_w(DLC) 2012007993
_w(OCoLC)768167110
856 4 0 _3EBSCOhost
_uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1246445
938 _aEBL - Ebook Library
_bEBLB
_nEBL4533120
938 _aProject MUSE
_bMUSE
_nmuse17629
938 _aYBP Library Services
_bYANK
_n10383989
938 _aEBSCOhost
_bEBSC
_n1246445
994 _a92
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999 _c56912
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