| 000 | 06837cam a2200877Ma 4500 | ||
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| 001 | ocn809317810 | ||
| 003 | OCoLC | ||
| 005 | 20200709060118.0 | ||
| 006 | m d | ||
| 007 | cr |||||||nn|n | ||
| 008 | 111031s2012 hiu obd 001 0 eng d | ||
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_a9780824861148 _q(electronic bk.) |
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_a082483416X _q(hard cover ; _qalk. paper) |
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_a(OCoLC)809317810 _z(OCoLC)959952766 _z(OCoLC)960087974 _z(OCoLC)961664221 _z(OCoLC)962569882 _z(OCoLC)968904616 _z(OCoLC)971584117 _z(OCoLC)971926489 _z(OCoLC)972102423 _z(OCoLC)1013975224 _z(OCoLC)1066443305 _z(OCoLC)1086361883 _z(OCoLC)1091002925 _z(OCoLC)1101718818 |
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| 042 | _adlr | ||
| 043 | _aa-ja--- | ||
| 050 | 4 |
_aGR830.T3 _bW34 2012 |
|
| 072 | 7 |
_aSOC _x011000 _2bisacsh |
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| 072 | 7 |
_aART019000 _2bisacsh |
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| 082 | 0 | 4 |
_a398.20952/01 _223 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aWakabayashi, Haruko Nishioka, _d1967- _eauthor. |
|
| 245 | 1 | 4 |
_aThe seven tengu scrolls : _bevil and the rhetoric of legitimacy in medieval Japanese Buddhism / _cHaruko Wakabayashi. |
| 260 |
_aHonolulu : _bUniversity of Hawaiʻi Press, _c©2012. |
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| 264 | 4 | _c©2012 | |
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aFrom malign spirit to manifestation of ma -- Tengudō, the realm of tengu -- Structure and relationship to existing variant scrolls -- Critique of Kamakura Buddhism -- The Onjōji scroll and the question of authorship -- The definition of ma. | |
| 588 | 0 | _aPrint version record. | |
| 520 | _aThis is a study of visual and textual images of the mythical creature tengu from the late Heian (897-1185) to the late Kamakura (1185-1333) periods. Popularly depicted as half-bird, half-human creatures with beaks or long noses, wings, and human bodies, tengu today are commonly seen as guardian spirits associated with the mountain ascetics known as yamabushi. In the medieval period, however, the character of tengu most often had a darker, more malevolent aspect. Haruko Wakabashi focuses in this study particularly on tengu as manifestations of the Buddhist concept of Māra (or ma), the personification of evil in the form of the passions and desires that are obstacles to enlightenment. Her larger aim is to investigate the use of evil in the rhetoric of Buddhist institutions of medieval Japan. Through a close examination of tengu that appear in various forms and contexts, Wakabayashi considers the functions of a discourse on evil as defined by the Buddhist clergy to justify their position and marginalize others. Early chapters discuss Buddhist appropriations of tengu during the late twelfth and thirteenth centuries in relation to the concept of ma. Multiple interpretations of ma developed in response to changes in society and challenges to the Buddhist community, which recruited tengu in its efforts to legitimize its institutions. The highlight of the work discusses in detail the thirteenth-century narrative scroll Tengu zōshi (also known as the Shichi Tengu-e, or the Seven Tengu Scrolls), in which monks from prominent temples in Nara and Kyoto and leaders of "new" Buddhist sects (Pure Land and Zen) are depicted as tengu. Through a close analysis of the Tengu zōshi's pictures and text, the author reveals one aspect of the critique against Kamakura Buddhism and how tengu images were used to express this in the late thirteenth century. She concludes with a reexamination of the meaning of tengu and a discussion of how ma was essentially socially constructed not only to explain the problems that plague this world, but also to justify the existence of an institution that depended on the presence of evil for its survival. Drawing on a wide range of primary sources, Wakabayashi provides a thoughtful and innovative analysis of history and religion through art. The Seven Tengu Scrolls will therefore appeal to those with an interest in Japanese art, history, and religion, as well as in interdisciplinary approaches to socio-cultural history. | ||
| 506 |
_3Use copy _fRestrictions unspecified _2star _5MiAaHDL |
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| 533 |
_aElectronic reproduction. _b[Place of publication not identified] : _cHathiTrust Digital Library, _d2011. _5MiAaHDL |
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| 538 |
_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL |
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| 583 | 1 |
_adigitized _c2011 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL |
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| 590 | _aMaster record variable field(s) change: 630, 650 | ||
| 630 | 0 | 0 | _aTengu no sōshi. |
| 610 | 2 | 7 |
_aChōsen Kōgei Kenkyūkai _2gnd |
| 630 | 0 | 4 | _aTengunosōshi |
| 650 | 0 |
_aBuddhism _zJapan _xHistory _y1185-1600. |
|
| 650 | 0 |
_aGood and evil _xReligious aspects _xBuddhism. |
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| 650 | 0 | _aTengu. | |
| 650 | 7 |
_aSOCIAL SCIENCE _xFolklore & Mythology. _2bisacsh |
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| 650 | 7 |
_aART _xAsian. _2bisacsh |
|
| 650 | 7 |
_aBuddhism. _2fast _0(OCoLC)fst00840028 |
|
| 650 | 7 |
_aTengu. _2fast _0(OCoLC)fst01147606 |
|
| 651 | 7 |
_aJapan. _2fast _0(OCoLC)fst01204082 |
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| 650 | 7 |
_aEmaki _2gnd |
|
| 650 | 7 |
_aTengu _2gnd |
|
| 650 | 7 |
_aDas Böse _2gnd |
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| 650 | 7 |
_aBuddhismus _2gnd |
|
| 648 | 7 |
_a1185-1600 _2fast |
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| 655 | 4 | _aElectronic books | |
| 655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
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| 776 | 0 | 8 |
_iPrint version: _aWakabayashi, Haruko Nishioka, 1967- _tSeven tengu scrolls. _dHonolulu : University of Hawaiʻi Press, ©2012 _w(DLC) 2011045355 |
| 856 | 4 | 0 |
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