000 04396cam a2200661Ia 4500
001 ocn797829091
003 OCoLC
005 20200709060020.0
006 m u
007 cr cn|
008 090224s2009 nyua ob s001 0 eng d
010 _z 2009008264
040 _aE7B
_cE7B
_dGPM
_dJSTOR
_dN$T
020 _a9780801464980 (electronic bk.)
020 _a0801464986 (electronic bk.)
020 _z0801448077
020 _z9780801448072
020 _z9780801477812
029 1 _aNZ1
_b15024230
035 _a(OCoLC)797829091
035 _a671335
_b(N$T)
037 _a22573/ctt4rvnh
_bJSTOR
050 1 4 _aDS35.74.E85
_bA43 2009eb
072 7 _aHIS037010
_2bisacsh
072 7 _aSOC
_x000000
_2bisacsh
082 0 4 _a303.48/256040902
_222
049 _aN$TA
100 1 _aAkbari, Suzanne Conklin.
245 1 0 _aIdols in the East
_h[electronic resource] :
_bEuropean representations of Islam and the Orient, 1100-1450 /
_cSuzanne Conklin Akbari.
260 _aIthaca :
_bCornell University Press,
_c2009.
300 _a1 online resource (xii, 323 p. :)
_bill.
504 _aIncludes bibliographical references and index.
505 0 _aMedieval Orientalism? -- The shape of the world -- From Jerusalem to India -- The place of the Jews -- The Saracen body -- Empty idols and a false prophet -- The form of heaven -- A glance at early modern Orientalism.
520 1 _a"Representations of Muslims have never been more common in the Western imagination than they are today. Building on Orientalist stereotypes constructed over centuries, the figure of the wily Arab has given rise, at the dawn of the twenty-first century, to the Islamist terrorist. In Idols in the East Suzanne Conklin Akbari explores the premodern background of some of the Orientalist types still pervasive in present-day depictions of Muslims-the irascible and irrational Arab, the religiously deviant Islamist-and about how these stereotypes developed over time." "Idols in the East contributes to the recent surge of interest in European encounters with Islam and the Orient in the premodern world. Focusing on the medieval period, Akbari examines a broad range of texts including encyclopedias, maps, medical and astronomical treatises, chansons de geste, romances, and allegories to paint an unusually diverse portrait of medieval culture. Among the texts she considers are The Book of John Mandeville, The Song of Roland, Parzival, and Dante's Divine Comedy. From them she reveals how medieval writers and readers understood and explained the differences they saw between themselves and the Muslim other. Looking forward, Akbari also comes to terms with how these medieval conceptions fit with modern discussions of Orientalism, thus providing an important theoretical link to postcolonial and postimperial scholarship on later periods. Far reaching in its implications and balanced in its judgments, Idols in the East will be of great interest to not only scholars and students of the Middle Ages but also anyone interested in the roots of Orientalism and its tangled relationship to modern racism and anti-Semitism."--Book Jacket.
650 0 _aChristianity and other religions
_xIslam.
650 0 _aIslam
_xRelations
_xChristianity.
650 0 _aOrientalism
_xHistory
_yTo 1500.
650 0 _aIslam in literature.
650 0 _aEast and West in literature.
650 0 _aOrientalism in literature.
650 0 _aLiterature, Medieval
_xHistory and criticism.
651 0 _aEurope
_xRelations
_zIslamic Empire.
651 0 _aIslamic Empire
_xRelations
_zEurope.
651 0 _aEurope
_xRelations
_zLatin Orient.
651 0 _aLatin Orient
_xRelations
_zEurope.
651 0 _aLatin Orient
_xIn literature.
650 7 _aHISTORY / Medieval
_2bisacsh
650 7 _aSOCIAL SCIENCE / General
_2bisacsh
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aAkbari, Suzanne Conklin.
_tIdols in the East.
_dIthaca : Cornell University Press, 2009
_z9780801448072
_w(DLC) 2009008264
_w(OCoLC)311075443
856 4 0 _uhttp://site.ebrary.com/id/10559186
_3ebrary
856 4 0 _3JSTOR
_uhttp://www.jstor.org/stable/10.7591/j.ctt7v85c
856 4 0 _3EBSCOhost
_uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671335
938 _aebrary
_bEBRY
_nebr10559186
938 _aEBSCOhost
_bEBSC
_n671335
910 _acpp1723AUTO
994 _a02
_bN$T
999 _c54190
_d54190