000			03870nam a2200529Ka 4500
001			ocn847527232
003			OCoLC
005			20200709055851.0
006			m d
007			cr cnu---unuuu
008			130610s2013 ne ob 001 0 eng d
040			_aN$T _cN$T
020			_a9789004250819 (electronic bk.)
020			_a9004250816 (electronic bk.)
020			_z9789004252776
020			_z9004252770
035			_a(OCoLC)847527232
035			_a591479 _b(N$T)
043			_aee-----
050		4	_aPN1993.5.E82 _bI37 2013eb
072		7	_aART _x057000 _2bisacsh
072		7	_aPER _x004040 _2bisacsh
082	0	4	_a791.430947 _223
049			_aN$TA
245	0	0	_aIconic turns _h[electronic resource] : _bnation and religion in Eastern European cinema since 1989 / _cedited by Liliya Berezhnaya & Christian Schmitt.
260			_aLeiden ; _aBoston : _bBrill, _c2013.
300			_a1 online resource.
490	1		_aCentral and Eastern Europe ; _v3
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- Religion and politics in Soviet and Eastern European cinema: a historical survey / Liliya Berezhnaya and Christian Schmitt -- Institutional Powers. Blessed films: the Russian Orthodox Church and patriotic culture in the 2000s / Hans-Joachim Schlegel -- Russian film premieres in 2010/11: sacralizing national history and nationalizing religion / Steven M. Norris -- A cinematic churchman: metropolitan Andrey Sheptytsky in Oles Yanchuk's Vladyka Andrey / Liliya Berezhnaya -- Sacred and profane images: rethinking history: heroes, saints and martyrs in contemporary Russian cinema. The godless Czechs? cinema, religion and Czech national identity / Eva Binder -- Beyond the surface, beneath the skin: immanence and transcendence in Gyorgi Palfi's films / Jan Culik -- Conflict, trauma, and memory. Narrating the Shoah in Poland: post-1989 movies about Polish-Jewish relations in times of German extermination politics / Christian Schmitt -- Memory, national identity, and the cross: Polish documentary films about the Smolensk plane crash / Maren Roger -- Religion visible and invisible: the case of post-Yugoslav anti-war films / Miroslaw Przylipiak.
520	8		_aAfter the epochal turn of 1989 a new wave of movies dealing with the complex entanglement of religious and national identity has emerged in in the eastern part of Europe. There has been plenty of evidence for a return of nationalism, while the predicated "return of religion(s)" is envisaged on a larger scale as a global phenomenon. The book suggests that in the wake of the historical turns of 1989, an "iconic turn" has taken place in Eastern Europe - in the form of a renewed cinematic commitment to make sense of the world in religious and/or national terms. 'Iconic Turns' combinestheoretical articles on the subject with case studies, bringing together researchers from different national backgrounds and disciplines, such as history, literary and film studies.
588			_aDescription based on print version record.
650		0	_aMotion pictures _zEurope, Eastern.
650		0	_aReligion in motion pictures.
650		0	_aNational characteristics in motion pictures.
650		7	_aART / Film & Video _2bisacsh
650		7	_aPERFORMING ARTS / Film & Video / Reference _2bisacsh
655		4	_aElectronic books.
700	1		_aBerezhnaya, Liliya, _eeditor of compilation.
700	1		_aSchmitt, Christian, _d1978- _eeditor of compilation.
776	0	8	_iPrint version: _tIconic turns. _dLeiden ; Boston : Brill, 2013 _z9789004252776 _w(DLC) 2013011488 _w(OCoLC)833403022
830		0	_aCentral and Eastern Europe ; _v3.
856	4	0	_3EBSCOhost _uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=591479
938			_aEBSCOhost _bEBSC _n591479
910			_acpp1723AUTO
994			_a02 _bN$T
999			_c53413 _d53413