| 000 | 04131cam a2200745Ma 4500 | ||
|---|---|---|---|
| 001 | ocn829911004 | ||
| 003 | OCoLC | ||
| 005 | 20200709055750.0 | ||
| 006 | m d | ||
| 007 | cr |n||||||||| | ||
| 008 | 120814s2012 mdu ob 001 0 eng d | ||
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| 020 |
_a9780739172377 _q(electronic bk.) |
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| 020 |
_a0739172379 _q(electronic bk.) |
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| 020 | _z0739172360 | ||
| 020 | _z9780739172360 | ||
| 020 | _z9781299251571 | ||
| 020 | _z1299251579 | ||
| 035 |
_a548239 _b(N$T) |
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| 035 |
_a(OCoLC)829911004 _z(OCoLC)829903448 _z(OCoLC)854970640 _z(OCoLC)994605501 |
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_aREL _x016000 _2bisacsh |
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| 082 | 0 | 4 |
_a264/.208996073 _223 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aMoody, David L., _d1957- _eauthor. |
|
| 245 | 1 | 0 |
_aPolitical melodies in the pews? : _bthe voice of the Black Christian rapper in the twenty-first-century church / _cDavid L. Moody. |
| 260 |
_aLanham : _bLexington Books, _c©2012. |
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| 300 | _a1 online resource (xxii, 115 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 588 | 0 | _aPrint version record. | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aSing my brother, sing! say what's on your mind; do it with a rhyme! -- The "Liberating Dream" through Black Christian rap music -- Performing hip hop in the Black church: political, spiritual, or just plain entertaining? : hip hop as a culture, rap as an art form -- Black liberation theology: political, spiritual, or just a plain old voice from the past -- Jesus the brown skin-revolutionary: was Jesus a Marxist rapper? -- What would Jesus rap about? -- Role of the church today -- Abc transcript-Jeremiah Wright -- Riaa 2008 consumer profile -- Slave population of the U.S. | |
| 520 | _aThe book explores the views that Christian theology is a theology of liberation and by means of this spiritual deliverance, an innovative, yet, revolutionary voice (Gospel hip hop) has emerged from the pews of the Sunday morning worship hour in the Black church. It is the author's contention that the emergence of Christian hip hop based ministries has taken on the role of a new liberating theological theme among youth within the Black community. | ||
| 590 | _aMaster record variable field(s) change: 650 | ||
| 650 | 0 | _aAfrican American churches. | |
| 650 | 0 |
_aAfrican Americans _xReligion. |
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| 650 | 0 |
_aHip-hop _xReligious aspects _xChristianity. |
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| 650 | 0 | _aBlack theology. | |
| 650 | 0 | _aLiberation theology. | |
| 650 | 4 | _aAfrican American churches. | |
| 650 | 4 |
_aAfrican Americans _xReligion. |
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| 650 | 4 | _aBlack theology. | |
| 650 | 4 |
_aHip-hop _xReligious aspects _xChristianity. |
|
| 650 | 4 | _aLiberation theology. | |
| 650 | 7 |
_aRELIGION _xChristian Rituals & Practice _xWorship & Liturgy. _2bisacsh |
|
| 650 | 7 |
_aRELIGION _xInstitutions & Organizations. _2bisacsh |
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| 655 | 4 | _aElectronic books. | |
| 776 | 0 | 8 |
_iPrint version: _aMoody, David L., 1957- _tPolitical melodies in the pews? _dLanham, Md. : Lexington Books, ©2012 _z9780739172360 _w(DLC) 2012031723 _w(OCoLC)798060243 |
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