| 000 | 03916cam a2200637Ii 4500 | ||
|---|---|---|---|
| 001 | ocn752862339 | ||
| 003 | OCoLC | ||
| 005 | 20200709055415.0 | ||
| 006 | m d | ||
| 007 | cr cn||||||||| | ||
| 008 | 110913s2011 gw a ob 001 0 eng d | ||
| 040 |
_aYDXCP _beng _erda _epn _cYDXCP _dIDEBK _dE7B _dOCLCQ _dOCLCO _dOCLCQ _dEBLCP _dMERUC _dOCLCQ _dUAB _dOCLCQ _dN$T _dCUV |
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_a723945490 _a744520322 _a816848942 |
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| 020 |
_a3110240033 _q(electronic bk.) |
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| 020 |
_a9783110240030 _q(electronic bk.) |
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| 020 |
_z9783110181593 _q(hardcover) |
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| 020 |
_z3110181592 _q(hardcover) |
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| 035 |
_a388190 _b(N$T) |
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| 035 |
_a(OCoLC)752862339 _z(OCoLC)723945490 _z(OCoLC)744520322 _z(OCoLC)816848942 |
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| 043 | _aa-ii--- | ||
| 050 | 4 | _aBL1215.S67 | |
| 072 | 7 |
_aREL _x017000 _2bisacsh |
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| 082 | 0 | 4 |
_a294.5/514 _222 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aWilke, Annette, _d1953- _eauthor. |
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| 245 | 1 | 0 |
_aSound and communication : _ban aesthetic cultural history of Sanskrit Hinduism / _cAnnette Wilke, Oliver Moebus. |
| 246 | 3 | 0 | _aAesthetic cultural history of Sanskrit Hinduism |
| 264 | 1 |
_aBerlin ; _aNew York : _bDe Gruyter, _c[2011] |
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| 300 |
_a1 online resource (xxiii, 1112 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 |
_aReligion and society, _x1437-5370 ; _vv. 41 |
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| 588 | _aDescription based on print version record. | ||
| 504 | _aIncludes bibliographical references (pages 1051-1096) and index. | ||
| 520 | _aIn Hindu India both orality and sonality have enjoyed great cultural significance since earliest times. They have a distinct influence on how people approach texts. The importance of sound and its perception has led to rites, models of cosmic order, and abstract formulas. Sound serves both to stimulate religious feelings and to give them a sensory form. Starting from the perception and interpretation of sound, the authors chart an unorthodox cultural history of India, turning their attention to an important, but often neglected aspect of daily religious life. They provide a stimulating contribution to the study of cultural systems of perception that also adds new aspects to the debate on orality and literality. | ||
| 505 | 0 | _aForeword; Table of Contents; I. Methodology; 1 Hinduism as a Culture of Sound; II. History; 2 The Veda as a Basic Paradigm for Sacred Language and Sacred Sound; 3 Composition and Decomposition: Analytical Studies and Popularizations of the Veda -- Rationality and Aesthetics of Post-Vedic; 4 Pluralism and the Search for Orientation: De-Sacralization and Re-Sacralization of Language in Poetics, Linguistics, and Meta; 5 Performance and Sensuality: The Sound Universes of Tantra and Devotionalism; 6 Sensory Substance: Näda-Brahman in East and West; 7 Appendix: Music CD -- Accompanying Text. | |
| 590 | _aMaster record variable field(s) change: 050 | ||
| 650 | 0 |
_aSound _xReligious aspects _xHinduism. |
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| 651 | 0 |
_aIndia _xReligious life and customs. |
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| 650 | 0 |
_aHinduism _zIndia. |
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| 650 | 0 |
_aTantrism _zIndia. |
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| 650 | 7 |
_aRELIGION / Comparative Religion _2bisacsh |
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| 655 | 4 | _aElectronic resource. | |
| 655 | 4 | _aElectronic books. | |
| 700 | 1 |
_aMoebus, Oliver, _eauthor. |
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| 776 | 0 | 8 |
_iPrint version: _aWilke, Annette, 1953- _tSound and communication. _dBerlin ; New York : De Gruyter, ©2011 _z9783110181593 _w(DLC) 2010036854 _w(OCoLC)663459295 |
| 830 | 0 |
_aReligion and society (Hague, Netherlands) ; _vv. 41. |
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| 856 | 4 | 0 |
_3EBSCOhost _uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=388190 |
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