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_qalk. paper)
020 _a9780253353573
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035 _a(OCoLC)664127147
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082 0 4 _a305.896/073076335
_222
049 _aMAIN
100 1 _aTurner, Richard Brent.
245 1 0 _aJazz religion, the second line, and Black New Orleans /
_cRichard Brent Turner.
260 _aBloomington :
_bIndiana University Press,
_c©2009.
300 _a1 online resource (xi, 182 pages) :
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
380 _aBibliography
504 _aIncludes bibliographical references (pages 161-174) and index.
505 0 _aIntroduction : Follow the second line -- The Haiti-New Orleans vodou connection : Zora Neale Hurston as initiate observer -- Mardi Gras Indians and second lines, sequin artists and rara bands : street festivals and performances in New Orleans and Haiti -- Interlude: The healing arts of African diasporic religion -- In rhythm with the spirit : New Orleans jazz funerals and the African diaspora -- Epilogue : A jazz funeral for "a city that care forgot" : the New Orleans diaspora after Hurricane Katrina.
588 0 _aPrint version record.
506 _3Use copy
_fRestrictions unspecified
_2star
_5MiAaHDL
520 _aIn his new book, Richard Brent Turner explores the history and contemporary significance of the popular religious traditions, identities, and performance forms celebrated in the second lines of the jazz street parades of black New Orleans. The second line is the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals. Here musical and religious traditions interplay. Jazz Religion, the Second Line, and Black New Orleans examines the relationship of jazz.
533 _aElectronic reproduction.
_b[S.l.] :
_cHathiTrust Digital Library,
_d2010.
_5MiAaHDL
538 _aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
_uhttp://purl.oclc.org/DLF/benchrepro0212
_5MiAaHDL
583 1 _adigitized
_c2010
_hHathiTrust Digital Library
_lcommitted to preserve
_2pda
_5MiAaHDL
590 _aMaster record variable field(s) change: 650
650 0 _aJazz
_zLouisiana
_zNew Orleans
_xReligious aspects.
650 0 _aJazz
_xReligious aspects
_xVoodooism.
650 0 _aAfrican Americans
_zLouisiana
_zNew Orleans
_xMusic
_xHistory and criticism.
650 4 _aFine Arts.
650 4 _aSocial Science.
650 7 _aSOCIAL SCIENCE
_xEthnic Studies
_xAfrican American Studies.
_2bisacsh
650 7 _aAfrican Americans
_xMusic
_2fast
_0(OCoLC)fst00799648
650 7 _aJazz
_xReligious aspects
_2fast
_0(OCoLC)fst00982183
651 7 _aLouisiana
_zNew Orleans
_2fast
_0(OCoLC)fst01204311
650 7 _aWodu.
_0(DE-588)4066709-1
_2gnd
650 7 _aJazz.
_0(DE-588)4028532-7
_2gnd
650 7 _aReligion.
_0(DE-588)4049396-9
_2gnd
651 7 _aNew Orleans, La.
_0(DE-588)4042008-5
_2gnd
650 0 7 _aWodu.
_2swd
650 0 7 _aJazz.
_2swd
650 0 7 _aReligion.
_2swd
651 7 _aNew Orleans <La.>
_2swd
655 4 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
776 0 8 _iPrint version:
_aTurner, Richard Brent.
_tJazz religion, the second line, and Black New Orleans.
_dBloomington : Indiana University Press, ©2009
_z9780253353573
_w(DLC) 2009014084
_w(OCoLC)313659127
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