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082 0 4 _a297.7/4
_222
049 _aMAIN
100 1 _aHirschkind, Charles.
245 1 4 _aThe ethical soundscape :
_bcassette sermons and Islamic counterpublics /
_cCharles Hirschkind.
260 _aNew York :
_bColumbia University Press,
_c©2006.
300 _a1 online resource (xi, 270 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
380 _aBibliography
490 1 _aCultures of history
520 _aCharles Hirschkind's unique study explores how a popular Islamic media form - the cassette sermon - has profoundly transformed the political geography of the Middle East over the last three decades. An essential aspect of what is now called the Islamic Revival, the cassette sermon has become omnipresent in most Middle Eastern cities, punctuating the daily routines of many men and women. Hirschkind shows how sermon tapes have provided one of the means by which Islamic ethical traditions have been recalibrated to a modern political and technological order - to its noise and forms of pleasure and boredom, but also to its political incitements and call for citizen participation. Contrary to the belief that Islamic cassette sermons are a tool of militant indoctrination, Hirschkind argues that sermon tapes serve as an instrument of ethical self-improvement and as a vehicle for honing the sensibilities and affects of pious living. Focusing on Cairo's popular neighborhoods, Hirschkind highlights the pivotal role these tapes now play in an expanding arena of Islamic argumentation and debate - what he calls an "Islamic counterpublic." This emerging arena connects Islamic traditions of ethical discipline to practices of deliberation about the common good, the duties of Muslims as national citizens, and the challenges faced by diverse Muslim communities around the globe. The Ethical Soundscape is a brilliant analysis linking modern media practices of moral self-fashioning to the creation of increasingly powerful religious publics.
504 _aIncludes bibliographical references (pages 247-264) and index.
588 0 _aPrint version record.
505 0 _aACKNOWLEDGMENTS; NOTE ON TRANSCRIPTION; [1] INTRODUCTION; [2] ISLAM, NATIONALISM, AND AUDITION; [3] THE ETHICS OF LISTENING; [4] CASSETTES AND COUNTERPUBLICS; [5] RHETORICS OF THE DA 'IYA; [6] THE ACOUSTICS OF DEATH; [7] EPILOGUE; NOTES; WORKS CITED; INDEX.
590 _aMaster record variable field(s) change: 082
650 0 _aDaʻwah (Islam)
650 0 _aReligious awakening
_xIslam.
650 0 _aIslamic sermons, Arabic.
650 0 _aCommunication
_xReligious aspects
_xIslam.
650 0 _aAudiocassettes.
650 0 _aIslamic fundamentalism
_zEgypt.
650 0 _aIslam and politics
_zEgypt.
650 4 _aDa'wah (Islam)
650 7 _aRELIGION
_xIslam
_xGeneral.
_2bisacsh
650 7 _aHISTORY
_zMiddle East
_xGeneral.
_2bisacsh
650 7 _aAudiocassettes.
_2fast
_0(OCoLC)fst00821090
650 7 _aCommunication
_xReligious aspects
_xIslam.
_2fast
_0(OCoLC)fst00869999
650 7 _aDaʻwah (Islam)
_2fast
_0(OCoLC)fst00888325
650 7 _aIslam and politics.
_2fast
_0(OCoLC)fst00979879
650 7 _aIslamic fundamentalism.
_2fast
_0(OCoLC)fst00979941
650 7 _aIslamic sermons, Arabic.
_2fast
_0(OCoLC)fst00980059
650 7 _aReligious awakening
_xIslam.
_2fast
_0(OCoLC)fst01093946
651 7 _aEgypt.
_2fast
_0(OCoLC)fst01208755
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aHirschkind, Charles.
_tEthical soundscape.
_dNew York : Columbia University Press, ©2006
_z0231138180
_z0231510888
_w(DLC) 2006007599
_w(OCoLC)64624863
830 0 _aCultures of history.
856 4 0 _3EBSCOhost
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