| 000 | 02049cam a22002538a 4500 | ||
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_c47322 _d47322 |
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| 001 | 000028301720 | ||
| 003 | AU-EpEBC | ||
| 005 | 20170404101709.0 | ||
| 008 | 050811s2005 miu b 001 0 eng | ||
| 010 | _a2005023440 | ||
| 020 | _a0801027896 (pbk.) | ||
| 040 |
_aDLC _beng _cDLC _dNEMB |
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| 050 | 0 | 0 |
_aBS2377.3 _b.R47 2005 |
| 082 | 0 | 0 |
_a225.6/6 _222 |
| 100 | 1 | _aResseguie, James L. | |
| 245 | 1 | 0 |
_aNarrative criticism of the New Testament : _ban introduction / _cJames L. Resseguie. |
| 260 |
_aGrand Rapids, MI : _bBaker Academic, _c2005. |
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| 300 |
_a288 p. ; _c23 cm. |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aIntroducing narrative criticism -- Definition -- Narrative criticism and new criticism -- Narrative criticism and reader-response criticism -- Defamiliarization of the New Testament -- The usefulness of narrative criticism -- Rhetoric -- Definition -- Repetition -- Framing narratives -- Rhetorical figures -- Figures of thought (tropes) -- A reading of rhetoric in Luke 24:13-35 -- Setting -- Definition -- A reading of settings in Hemingway's "Hills like white elephants" -- Setting in the New Testament -- A reading of settings in Mark 5:1-20 -- Character -- Definition -- Round and flat characters -- Dynamic and static characters -- Showing (mimesis) and telling (diegesis) -- Robert Alter's scale of means -- A reading of character in Chopin's "Story of an hour" -- Reading biblical characters -- Point of view -- Definition -- Four planes of point of view -- A reading of point of view in Chopin's "Ripe figs" -- Point of view in the New Testament -- A reading of point of view in Luke 10:25-29 -- Plot -- Definition -- Elements of a plot -- Plot types and plot patterns -- Order of narration -- A reading of plot in the book of Revelation -- Applying narrative criticism -- Questions -- The story of Nicodemus -- Conclusion. | |
| 630 | 0 |
_aBible. _pN.T. _xCriticism, Narrative. |
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| 856 | 4 | 1 |
_yTable of contents _uhttp://www.loc.gov/catdir/toc/ecip0518/2005023440.html |
| 942 |
_2ddc _cAM |
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