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Facing the Fiend [electronic resource] : Satan as a Literary Character.

By: Publication details: Cambridge : The Lutterworth Press, 2014.Description: 1 online resource (212 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780718842666
  • 0718842669
Subject(s): Genre/Form: Additional physical formats: Print version:: Facing the Fiend.DDC classification:
  • 809.9337 809.933823547 22
LOC classification:
  • PN56 .D465 B35 2014
Online resources:
Contents:
Front cover; Half title; Title page; Copyright; Contents; Acknowledgments; Abbreviations; Introduction: Setting the Stage; The Birth of a Character; Part One: The Dwelling Place of Satan; 1. Is Satan Evil?; 2. Satan's Biography; 3. Satan in Story and Myth; 4. Satan and the Written Word; Part Two: Satanic Characters; 5. The Restless Wanderer; 6. The Tormented Shadow; 7. The Zeroing Zero; 8. The Creative Eliminator; 9. The Stumbling Block; 10. The Transgressor; Conclusion: Satan's Salvation or the Redemption Lies in the Text; Bibliography; Back cover.
Summary: With the preponderance of visual imagery in our late modern period, why is it the literary Satan keeps emerging? And what can the literary figure of Satan contribute to the understanding of evil? Eva Marta Baillie argues that the literary is the only means by which Satan can survive, and that as a result of the changing literary (and cultural, philosophical, and theological) landscape and our changing perceptions of evil as we move into the twenty-first century, the satanic character must also change.
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Print version record.

Front cover; Half title; Title page; Copyright; Contents; Acknowledgments; Abbreviations; Introduction: Setting the Stage; The Birth of a Character; Part One: The Dwelling Place of Satan; 1. Is Satan Evil?; 2. Satan's Biography; 3. Satan in Story and Myth; 4. Satan and the Written Word; Part Two: Satanic Characters; 5. The Restless Wanderer; 6. The Tormented Shadow; 7. The Zeroing Zero; 8. The Creative Eliminator; 9. The Stumbling Block; 10. The Transgressor; Conclusion: Satan's Salvation or the Redemption Lies in the Text; Bibliography; Back cover.

With the preponderance of visual imagery in our late modern period, why is it the literary Satan keeps emerging? And what can the literary figure of Satan contribute to the understanding of evil? Eva Marta Baillie argues that the literary is the only means by which Satan can survive, and that as a result of the changing literary (and cultural, philosophical, and theological) landscape and our changing perceptions of evil as we move into the twenty-first century, the satanic character must also change.

Includes bibliographical references.

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