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  <titleInfo>
    <title>Seeing like the Buddha</title>
    <subTitle>enlightenment through film</subTitle>
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    <namePart>Cho, Francisca</namePart>
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  <tableOfContents>List of Illustrations; Acknowledgment; Abbreviations; Chapter 1 Seeing Like the Buddha; Erasing the Buddha; The Necessity of Form; Visions of the Buddha; Conclusion; Chapter 2 The Karmic Narrative of Spring, Summer, Fall, Winter . . . and Spring; Observing the Buddhist Drama; The Bodhisattva's Vision; Repetition and Awakening; The Collapse of Time; Chapter 3 The Meditative Discernment of Nang Nak; The Karma of Ghosts; The Buddhist Taming; The Eye of Wisdom; Keeping It Real; Chapter 4 Rashomon and the Indiscernible Emptiness of Being; Buddhist Origins; The Subjectivity of Perception</tableOfContents>
  <tableOfContents>The Perception of No-PerceptionThe Emptiness of Being; Chapter 5 The Depth of Shadows in Maborosi; The Preference for Shadows; The Religious and the Aesthetic; From the Medieval to the Modern; From National Cinemas to Buddhist Cinema; Chapter 6 The Visual Cinema of Terrence Malick; The Nonnarrative Language of the Visual; The Seeing of Nature; Movement and Flow; Conclusion; Chapter 7 Descent into the World; Buddhist Visionary Practices; Film as Visionary Practice; Conclusion; Notes; References; Index</tableOfContents>
  <note type="statement of responsibility">Francisca Cho.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <topic>Buddhism in motion pictures</topic>
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  <subject authority="fast">
    <topic>Buddhism in motion pictures</topic>
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  <classification authority="lcc">PN1995.9.B795</classification>
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      <publisher>Albany : State University of New York Press, [2017]</publisher>
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