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  <titleInfo>
    <title>Iconic turns</title>
    <subTitle>nation and religion in Eastern European cinema since 1989</subTitle>
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  <name type="personal">
    <namePart>Berezhnaya, Liliya</namePart>
    <role>
      <roleTerm type="text">editor of compilation.</roleTerm>
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  <name type="personal">
    <namePart>Schmitt, Christian</namePart>
    <namePart type="date">1978-</namePart>
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    <place>
      <placeTerm type="text">Leiden</placeTerm>
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    <place>
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    <publisher>Brill</publisher>
    <dateIssued>2013</dateIssued>
    <issuance>monographic</issuance>
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  <language>
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  <abstract>After the epochal turn of 1989 a new wave of movies dealing with the complex entanglement of religious and national identity has emerged in in the eastern part of Europe. There has been plenty of evidence for a return of nationalism, while the predicated "return of religion(s)" is envisaged on a larger scale as a global phenomenon. The book suggests that in the wake of the historical turns of 1989, an "iconic turn" has taken place in Eastern Europe - in the form of a renewed cinematic commitment to make sense of the world in religious and/or national terms. 'Iconic Turns' combinestheoretical articles on the subject with case studies, bringing together researchers from different national backgrounds and disciplines, such as history, literary and film studies.</abstract>
  <tableOfContents>Introduction -- Religion and politics in Soviet and Eastern European cinema: a historical survey / Liliya Berezhnaya and Christian Schmitt -- Institutional Powers. Blessed films: the Russian Orthodox Church and patriotic culture in the 2000s / Hans-Joachim Schlegel -- Russian film premieres in 2010/11: sacralizing national history and nationalizing religion / Steven M. Norris -- A cinematic churchman: metropolitan Andrey Sheptytsky in Oles Yanchuk's Vladyka Andrey / Liliya Berezhnaya -- Sacred and profane images: rethinking history: heroes, saints and martyrs in contemporary Russian cinema. The godless Czechs? cinema, religion and Czech national identity / Eva Binder -- Beyond the surface, beneath the skin: immanence and transcendence in Gyorgi Palfi's films / Jan Culik -- Conflict, trauma, and memory. Narrating the Shoah in Poland: post-1989 movies about Polish-Jewish relations in times of German extermination politics / Christian Schmitt -- Memory, national identity, and the cross: Polish documentary films about the Smolensk plane crash / Maren Roger -- Religion visible and invisible: the case of post-Yugoslav anti-war films / Miroslaw Przylipiak.</tableOfContents>
  <note type="statement of responsibility">edited by Liliya Berezhnaya &amp; Christian Schmitt.</note>
  <note>Includes bibliographical references and index.</note>
  <subject>
    <geographicCode authority="marcgac">ee-----</geographicCode>
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  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>Europe, Eastern</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Religion in motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>National characteristics in motion pictures</topic>
  </subject>
  <subject authority="bisacsh">
    <topic>ART / Film &amp; Video</topic>
  </subject>
  <subject authority="bisacsh">
    <topic>PERFORMING ARTS / Film &amp; Video / Reference</topic>
  </subject>
  <classification authority="lcc">PN1993.5.E82 I37 2013eb</classification>
  <classification authority="ddc" edition="23">791.430947</classification>
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      <title>Iconic turns</title>
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      <publisher>Leiden ; Boston : Brill, 2013</publisher>
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    <identifier type="local">(DLC)  2013011488</identifier>
    <identifier type="local">(OCoLC)833403022</identifier>
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    <titleInfo>
      <title>Central and Eastern Europe ; 3</title>
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  <identifier type="isbn">9789004250819 (electronic bk.)</identifier>
  <identifier type="isbn">9004250816 (electronic bk.)</identifier>
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