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    <title>Spirituality of Mozart's Mass in C Minor, Bach's Mass in B Minor, and Messiaen's Quartet for the End of Time</title>
    <subTitle>When Hearing Sacred Music is Relating to God</subTitle>
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  <name type="personal">
    <namePart>Greene, David B.</namePart>
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    <publisher>Edwin Mellen Press</publisher>
    <dateIssued>2011</dateIssued>
    <issuance>monographic</issuance>
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  <abstract>This book is based around reports from people who have listened to certain pieces of sacred music (that is, pieces with a liturgical text or biblical allusions) and have said that hearing the music is itself an encounter with the divine. While relating to the music, these people find that relating to the music is a relation to God. The music as such becomes inaudible, and disappears into an encounter in which they address and are addressed by God, or the Risen Christ, or the Eternal Infinite. The book's project is to elaborate on these reports, first by dwelling on the meaning of "relation" th.</abstract>
  <tableOfContents>Greene theo; Page 1; Page 2; Greene Theology;</tableOfContents>
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  <subject>
    <topic>Fine Arts</topic>
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  <subject authority="lcsh">
    <name type="personal">
      <namePart>Bach, Johann Sebastian</namePart>
      <namePart type="date">1685-1750</namePart>
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  <subject authority="lcsh">
    <name type="personal">
      <namePart>Messiaen, Olivier</namePart>
      <namePart type="date">1908-1992</namePart>
    </name>
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    <name type="personal">
      <namePart>Mozart, Wolfgang Amadeus</namePart>
      <namePart type="date">1756-1791</namePart>
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  <subject authority="lcsh">
    <topic>Music</topic>
    <topic>Religious aspects</topic>
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    <topic>MUSIC / Religious / General</topic>
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  <classification authority="lcc">ML3921 .G74 2011</classification>
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