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<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd"><titleInfo><title>Modernism and the art of Muslim South Asia</title></titleInfo><name type="personal"><namePart>Dadi, Iftikhar.</namePart><role><roleTerm authority="marcrelator" type="text">creator</roleTerm></role></name><typeOfResource>text</typeOfResource><genre authority="marc">bibliography</genre><genre authority="">Electronic books.</genre><genre authority="fast">History.</genre><originInfo><place><placeTerm type="code" authority="marccountry">ncu</placeTerm></place><place><placeTerm type="text">Chapel Hill</placeTerm></place><publisher>University of North Carolina Press</publisher><dateIssued>©2010</dateIssued><dateIssued encoding="marc">2010</dateIssued><issuance>monographic</issuance></originInfo><language><languageTerm authority="iso639-2b" type="code">eng</languageTerm></language><physicalDescription><extent>1 online resource (xiv, 312 pages, [24] pages of plates) : illustrations (some color).</extent></physicalDescription><abstract>"This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era"--Provided by publisher.</abstract><tableOfContents>Introduction : Modernism in South Asian Muslim art -- Abdur Rahman Chughtai : Mughal aesthetic in the age of print -- Mid-century modernism : Zainul Abedin, Zubeida Agha, and Shakir Ali -- Sadequain and calligraphic modernism -- Emergence of the public self : Rasheed Araeen and Naiza Khan -- Epilogue : The realm of the contemporary.</tableOfContents><note type="statement of responsibility">Iftikhar Dadi.</note><note>Includes bibliographical references (pages 269-293) and index.</note><subject><geographicCode authority="marcgac">az-----</geographicCode></subject><subject authority="lcsh"><topic>Art, South Asian</topic><temporal>20th century</temporal></subject><subject authority="lcsh"><topic>Islamic art</topic><geographic>South Asia</geographic></subject><subject authority="lcsh"><topic>Modernism (Aesthetics)</topic><geographic>South Asia</geographic><topic>History</topic><temporal>20th century</temporal></subject><subject authority="lcsh"><topic>Transnationalism</topic></subject><subject authority="lcsh"><topic>Art and society</topic><geographic>South Asia</geographic><topic>History</topic><temporal>20th century</temporal></subject><subject><topic>Fine Arts</topic></subject><subject authority="bisacsh"><topic>ART</topic><topic>Subjects &amp; Themes</topic><topic>General</topic></subject><subject authority="fast"><topic>Art and society</topic></subject><subject authority="fast"><topic>Art, South Asian</topic></subject><subject authority="fast"><topic>Islamic art</topic></subject><subject authority="fast"><topic>Modernism (Aesthetics)</topic></subject><subject authority="fast"><topic>Transnationalism</topic></subject><subject authority="fast"><geographic>South Asia</geographic></subject><subject authority="gtt"><geographic>Zuid-Azië</geographic></subject>
    1900-1999
    fast
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