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  <titleInfo>
    <title>Jazz religion, the second line, and Black New Orleans</title>
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  <name type="personal">
    <namePart>Turner, Richard Brent.</namePart>
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    <publisher>Indiana University Press</publisher>
    <dateIssued>©2009</dateIssued>
    <dateIssued encoding="marc">2009</dateIssued>
    <issuance>monographic</issuance>
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  <abstract>In his new book, Richard Brent Turner explores the history and contemporary significance of the popular religious traditions, identities, and performance forms celebrated in the second lines of the jazz street parades of black New Orleans. The second line is the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals. Here musical and religious traditions interplay. Jazz Religion, the Second Line, and Black New Orleans examines the relationship of jazz.</abstract>
  <tableOfContents>Introduction : Follow the second line -- The Haiti-New Orleans vodou connection : Zora Neale Hurston as initiate observer -- Mardi Gras Indians and second lines, sequin artists and rara bands : street festivals and performances in New Orleans and Haiti -- Interlude: The healing arts of African diasporic religion -- In rhythm with the spirit : New Orleans jazz funerals and the African diaspora -- Epilogue : A jazz funeral for "a city that care forgot" : the New Orleans diaspora after Hurricane Katrina.</tableOfContents>
  <note type="statement of responsibility">Richard Brent Turner.</note>
  <note>Includes bibliographical references (pages 161-174) and index.</note>
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  <note>Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL</note>
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  <note>digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL</note>
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    <geographic>New Orleans</geographic>
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    <topic>Jazz</topic>
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    <geographic>New Orleans &lt;La.&gt;</geographic>
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  <classification authority="lcc">ML3921.8.J39 T87 2009eb</classification>
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