MARC details
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06764cam a2200397 a 4500 |
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2124413 |
| 003 - CONTROL NUMBER IDENTIFIER |
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AU-EpEBC |
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20130605112031.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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970507s1999 nyua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
97015809 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0195105982 (alk. paper) |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Transcribing agency |
DLC |
| Modifying agency |
DLC |
| -- |
NEMB |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
791.43/FIL |
| 245 00 - TITLE STATEMENT |
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| Title |
Film theory and criticism : |
| Remainder of title |
introductory readings / |
| Statement of responsibility, etc. |
edited by Leo Braudy, Marshall Cohen. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
5th ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
New York : |
| Name of publisher, distributor, etc. |
Oxford University Press, |
| Date of publication, distribution, etc. |
1999. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xviii, 861 p. ; |
| Other physical details |
illus. ; pbk ; |
| Dimensions |
24 cm. |
| 500 ## - GENERAL NOTE |
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| General note |
First edition published 1974. Editors : Gerald Mast and Marshall Cohen.<br/>Other editions published 1979, 1985, 1992. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
I. Film Language.<br/>Vsevolod Podovkin : From Film Technique [On Editing] --<br/>Sergei Eisenstein : From Film Form : Beyond the Shot [The Cinematographic Principle and the Ideogram]; The Dramaturgy of Film Form [The Dialectical Approach to Film Form] --<br/>Andr'e Bazin: From What Is Cinema? : The Evolution of the Language of Cinema --<br/>Brian Henderson : Toward a Non-Bourgeois Camera Style -- Christian Metz : From Film Language : Some Points in the Semiotics of the Cinema ; Problems of Denotation in the Fiction Film --<br/>Gilbert Harman : Semiotics and the Cinema: Metz and Wollen --<br/>Stephen Prince : The Discourse of Pictures: Iconicity and Film Studies --<br/>Daniel Dayan : The Tutor-Code of Classical Cinema --<br/>William Rothman : Against "The System of the Suture" --<br/>Kaja Silverman : From The Subject of Semiotics [On Suture] --<br/>Nick Browne : The Spectator-in-the-Text: The Rhetoric of Stagecoach.<br/><br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
II. Film and Reality.<br/>Siegfried Kracauer : From Theory of Film : Basic Concepts --<br/>Siegfried Kracauer : From From Caligari to Hitler ; The Cabinet of Dr. Caligari --<br/>Anrd'e Bazin : From What is Cinema? : The Ontology of the Photographic Image ; The Myth of Total Cinema ; De Sica: Metteur-en-sc`ene --<br/>Rudolf Arnheim : From Film as Art :The Complete Film --<br/>Maya Deren : Cinematography: The Creative Use of Reality --<br/>Stan Brakhage : From Metaphors on Vision --<br/>Robert Stam and Louise Spence : Colonialism, Racism, and Representation: An Introduction --<br/>Christine Gledhill : Recent Developments in Feminist Criticism.<br/><br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
III. The Film Medium: Image and Sound.<br/>Erwin Panofsky : Style and Medium in the Motion Pictures --<br/>Siegfried Kracauer : From Theory of Film : The Establishment of Physical Existence --<br/>Bela Balasz From Theory of the Film : The Close-up ; The Face of Man --<br/>Rudolf Arnheim : From Film as Art : Film and Reality ; The Making of a Film --<br/>Noel Carroll : From Philosophical Problems of Classical Film Theory : The Specificity Thesis --<br/>Gerald Mast : From Film/Cinema/Movie :<br/>Projection --<br/>Stanley Cavell : From The World Viewed : Photograph and Screen ; Audience, Actor, and Star ; Types; Cycles as Genres ; Ideas of Origin --<br/>Jean-Louis Baudry : Ideological Effects of the Basic Cinematographic Apparatus --<br/>Christian Metz : Aural Objects --<br/>Sergei Eisenstein, Vsevelod Pudovkin, and Grigori Alexandrov : Statement on Sound --<br/>Mary Ann Doane : The Voice in the Cinema: The Articulation of Body and Space --<br/>John Belton : Technology and Aesthetics of Film Sound --<br/>John Ellis : From Visible Fictions : Broadcast TV as Sound and Image. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
IV. Film Narrative and Other Arts.<br/>Hugo Munsterberg : From The Film: A Psychological Study : <br/>The Means of the Photoplay --<br/>Andre Bazin : From What is Cinema? : Theater and Cinema --<br/>Leo Braudy : From The World in a Frame : Acting: Stage vs. Screen --<br/>Sergei Eisenstein : From Dickens, Griffith and Ourselves [Dickens, Griffith, and Film Today] --<br/>Seymour Chatman : What Novels Can Do That Films Can't (and Vice Versa) --<br/>Dudley Andrew : From Concepts in Film Theory : Adaptation --<br/>Tom Gunning : Narrative Discourse and the Narrator System --<br/>Seymour Chatman : From Coming to Terms : The Cinematic Narrator --<br/>Kristin Thompson : The Concept of Cinematic Excess --<br/>Peter Wollen : Godard and Counter Cinema: Vent d'Est. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
V. The Film Artist.<br/>Andrew Sarris Notes on the Auteur Theory in 1962 --<br/>Peter Wollen : From Signs and Meaning in the Cinema : The Auteur Theory --<br/>Roland Barthes The Face of Garbo --<br/>John Ellis From Visible Fictions : Stars as Cinematic Phenomenon --<br/>Robert C. Allen From Film History: Theory and Practice :<br/>The Role of the Star in Film History [Joan Crawford] --<br/>Molly Hasekll : From From Reverence to Rape : Female Stars of the 1940s --<br/>Joan Mellen : From Women and Their Sexuality in the New Film : The Mae West Nobody Knows --<br/>Miriam Hansen Pleasure, Ambivalence, Identification : Valentino and Female Spectatorship --<br/>Thomas Schatz : From The Genius of the System :"The Whole Equation of Pictures."<br/><br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
VI. Film Genres.<br/>Leo Braudy : From The World in a Frame : Genre: The Conventions of Connection --<br/>Rick Altman : A Semantic/Syntactic Approach to Film Genre --<br/>Thomas Schatz : From Hollywood Genres : Film Genre and the Genre Film --<br/>Robert Warshow : Movie Chronicle: The Westerner --<br/>Robin Wood : Ideology, Genre, Auteur --<br/>Bruce Kawin : The Mummy's Pool --<br/>Tania Modleski : The Terror of Pleasure: The Contemporary Horror Film and Postmodern Theory --<br/>Linda Williams : Film Bodies: Gender, Genre, and Excess --<br/>David Bordwell : The Art Cinema as a Mode of Film Practice.<br/><br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
VII. Film: Psychology, Society, and Ideology.<br/>Walter Benjamin The Work of Art in the Age of Mechanical Reproduction --<br/>Jean-Luk Comolli and Jean Narbomi : Cinema/Ideology/Criticism --<br/>Jean-Louis Baudry : The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema --<br/>Noel Carroll : From Mystifying Movies : Jean-Louis Baudry and "The Apparatus" -- <br/>Parker Tyler From Magic and Myth of the Movies : Preface --<br/>Christian Metz : From The Imaginary Signifier : Identification, Mirror ; The Passion for Perceiving ; Disavowal, Fetishism --<br/>Tom Gunning : An Aesthetic of Astonishment: Early Film and the (In)Credulous Spectator --<br/>Laura Mulvey : Visual Pleasure and Narrative Cinema --<br/>Manthia Diawara : Black Spectatorship: Problems of Identification and Resistance.<br/><br/><br/><br/> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Motion pictures. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Braudy, Leo. |
| Relator term |
Jnt ed. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Cohen, Marshall. |
| Relator term |
Jnt ed. |
| 856 42 - ELECTRONIC LOCATION AND ACCESS |
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| Materials specified |
Publisher description |
| Uniform Resource Identifier |
<a href="http://www.loc.gov/catdir/enhancements/fy0639/97015809-d.html">http://www.loc.gov/catdir/enhancements/fy0639/97015809-d.html</a> |
| 856 41 - ELECTRONIC LOCATION AND ACCESS |
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| Materials specified |
Table of contents only |
| Uniform Resource Identifier |
<a href="http://www.loc.gov/catdir/enhancements/fy0639/97015809-t.html">http://www.loc.gov/catdir/enhancements/fy0639/97015809-t.html</a> |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
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EW |
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Dewey Decimal Classification |
